First & Last Records is proud to present the first-ever reissue of Daisuke Honda’s Love Songs, a deeply personal, holy-grail private press album originally released in 1977.
At just 20 years old, Daisuke Honda was an enigmatic vagabond from Osaka who had left home after high school to wander and write songs. Possessing no grand ambitions of becoming a professional musician, Honda simply felt compelled to record the music he was creating. To bring the project to life, a makeshift studio was constructed inside a 200-square-foot room housed within a local textile factory owned by his friend Motoaki Yoshikawa’s family. The industrial space allowed Honda and a assembled group of local backing musicians to make all the noise they wanted during the day, running a 30-meter extension cable through the factory to reach an upright piano in the family’s drawing room.
Manufactured through the legendary private-press label Kojima Recordings, Love Songs was pressed in an extremely limited run of just 200 copies. Only about 10 copies were adorned with a pasted-on black-and-white portrait photo, while the rest were housed in minimalist plain white jackets. Due to lost copies, small hand-distributions, and accidental discardings over the decades, the original pressing vanished into near-mythic obscurity, cementing its status as one of the most elusive and sought-after Japanese private press artifacts of the 1970s. Musically, Love Songs is a soulful, melancholy blend of folk, rock, and blues. Honda’s songwriting echoes a wide array of influences, from American icons like Neil Young, Bob Dylan, and the Allman Brothers, to UK folk groups like Heron and domestic Japanese folk masters like Masato Tomobe and Kenji Endo.
Around the time of the Love Songs release, Honda entered the Osaka-area preliminary round of the Yamaha Popular Song Contest (“Pop Con”) with the song “Your Neighborhood.” The result wasn’t what he hoped for, though he contends that he only entered at the behest of Maeoka; he himself had no interest and can’t even remember what name he used for the performance. Although Pop Con was known primarily as a contest for amateur musicians, between 1976-1978, when Honda is believed to have entered, Pop Con participants included future stars such as Machiko Watanabe, Tsuyoshi Nagabuchi, Anzen Chitai, Masanori Sera & Twist, Motoharu Sano, and Hiroshi Madoka. Even if he had no desire to become a star himself, the fact that Honda had participated in Pop Con is a curious thing indeed.
Junichi Yamada, March 2024
Translated by Yosuke Kitazawa
Daisuke Honda (本田大助): Vocals, Acoustic Guitar, Harmonica
Toshio Maeoka (as King Cool): Guitar
Masahiko Fukazawa: Guitar
Kazuhiko Urata: Bass
Takashi Nishino: Drums
Yukio Kitagawa: Drums
Yoshimi Iseki (井関芳美): Piano, Organ
Mixed by Yoichi Asada
Music and paintings by Daisuke Honda
Lyrics for “Yoimachizuki” by Yōji Yagi (八木洋二)
Reissue produced by Tyler Craft, Johan Nilsson and Shinsaku Ikeshita
Audio restoration and mastering by Michael Graves at Osiris Studio
Liner notes by Junichi Yamada
Translations by Yosuke Kitazawa
Reissue artwork by D. Norsen Design
Special thanks to Ralph Etter, Pontus Madsen and Hashio Kamono