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阿部一族 「阿部一族」FLR-003

Abeichizoku 「Abeichizoku」

  • Originally self-released in only 100 copies in 1973
  • New liner notes by the three surviving members as well as a new English translation of the original liner notes
  • Audio restoration by Michael Graves at Osiris Studio
  • LP editions: “tip on” jackets, 200 on translucent black smoke vinyl and 400 on black vinyl
  • CD edition: 300 Mini LP

Founded in 1972 by members of a university folk club, Abeichizoku were infuenced by Yoshio Hayakawa’s Jacks and URC bands like Happy End, Itsutsu No Akai Fusen and Dylan II. In the twilight of their school years, with the word “job” looming over them, the band recorded their lone album in a grueling 8-hour shift in their university’s assembly hall.

Excerpt from new liner notes

Excerpt from new liner notes

“I think the person who would be most pleased with the reissuing of Abeichizoku is the now deceased Akiba, who was the bandmaster. He was the first classmate I talked to in my first class when I entered college in 1970. Thirty years later, in the summer of 2002, he collapsed in a bar late at night and went to heaven. He had been brought in by a major advertising agency and joined them as a copywriter, becoming a creator of many adverts. His TV commercials for an American cigarette company and a Japanese automobile manufacturer, with the music of his favorite musicians playing in the background, were typical of his love of music. In remembrance of Akiba, here are some episodes from Abeichizoku.⁣

On a hot summer day in August 2022, I received a call on my cell phone from an unknown number. Thinking the call might be suspicious, I put my ear to it out of curiosity and heard a voice asking, “Is this Mr. Kazuhiro Muneta? The person from the band Abeichizoku?” On that day, the plan to reissue a record that had been recorded and produced 50 years earlier, in December 1972, began. It was May 1972 when we formed Abeichizoku. Akiba, Fujimaki and I were in our third year of college, and the word “job” was growing louder and louder in the corner of our minds. Akiba was muttering that he did not want to work for a company and wanted to continue playing in a band and become a professional musician. Fujimaki and I, however, were not willing to take the idea of a dream without any real ability, and we came to the conclusion that we would break up the band after the December concert, cut off our shoulder-length hair, and start looking for a job. Akiba suggested that if we were going to break up, we should produce a commemorative record, and all five of us, including Goto and Kodama, agreed on this idea. It was quite an expense for a college student, so it was very difficult to make the funds.”

“An understated collection of folk songs by members of a university folk club, it captures much of what makes these kinds of self-released projects so disarmingly attractive to listeners and collectors. The music’s unforced, the melodies are enveloping, and the vérité capture of the recording makes you feel as though you’re in the room as the musicians play.” – Jon Dale, Bandcamp Daily

Credits

Ryoichi Akiba (秋場良一) E. Guitar
Yuzuru Kodama (児玉護) A. Guitar, Vocals
Tatsuro Goto (後藤達朗) Percussion, Vocals
Eiichi Fujimaki (藤巻栄一) A. Guitar, Vocals
Kazuhiro Muneta (棟田和博) E. Bass

Guest musicians:
Yasuaki Iwamoto (岩本泰明) Drums
Akihito Kouda (国分田昭仁) Banjo

Reissue produced by Tyler Craft, Johan Nilsson and Shinsaku Ikeshita
Audio restoration and mastering by Michael Graves at Osiris Studio
Special thanks to Pontus Madsen and David Rager

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